Calligraphy is, for me, both an artistic and a psychological practice. It’s an attempt to transmit or interpret emotional states and texts through written marks. Their expressiveness can range from recognizable letters to abstract graphic signs, detached from legibility.

It’s an exercise in minimalism—conveying meaning with very little. In my practice, the essential elements are emotional balance, the idea behind the text, the format, the paper type, and the chosen writing tool.